316 Pike St
Cincinnati, OH 45202, USA

  • Architectural Style: Federal
  • Bathroom: N/A
  • Year Built: 1820
  • National Register of Historic Places: N/A
  • Square Feet: N/A
  • National Register of Historic Places Date: N/A
  • Neighborhood: N/A
  • National Register of Historic Places Area of Significance: N/A
  • Bedrooms: N/A
  • Architectural Style: Federal
  • Year Built: 1820
  • Square Feet: N/A
  • Bedrooms: N/A
  • Bathroom: N/A
  • Neighborhood: N/A
  • National Register of Historic Places: N/A
  • National Register of Historic Places Date: N/A
  • National Register of Historic Places Area of Significance: N/A
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Mar 29, 2023

  • Charmaine Bantugan

Belmont

Completed in 1820, for Martin Baum (1765-1831) and his wife, Ann Somerville Wallace (1782-1864). Situated at the corner of Fourth and Pike, it originally sat on a plot of 9-acres and is generally believed to have been designed by Benjamin Latrobe (the same architect who designed the Capitol in Washington D.C.) although local tradition has it as the work of James Hoban, he of White House fame. Throughout its history it has consistently attracted the attention of Cincinnati's richest men: Baum was considered the wealthiest man in Cincinnati in his day; Nicholas Longworth was the city's first millionaire; and David Sinton died the richest man in Ohio. Sinton's only child and sole heiress, Annie, married Charles Taft, half-brother of U.S. President William Howard Taft who received the Republican nomination for President on the portico steps here. Since 1932 Belmont has been open to the public as the Taft Museum of Art. Baum commissioned Latrobe or Hogan in 1817 and sparing no expense the house took three years to complete: "His (Baum's) house was always open and his hospitality was unbounded. All intellectually great men were especially welcome. Julius Ferdinand von Salis, cousin of the great German lyric poet, Count Johann Gaudez von Salis, lived with him about the year 1817. He had travelled through the Orient as a natural philosopher, 'and wrote here,' says Klauprecht, 'in the retirement of this western market town...'". Baum lived here until his death in 1831 when his widow sold Belmont to Cincinnati's first millionaire, Nicholas Longworth. Aside from his passions for art and horticulture, Longworth was also an outspoken abolitionist and in 1850 he commissioned Robert S. Duncanson, America's first famous black artist, to complete a series eight landscaped panels (each one a little over 9-x-7-feet) in the entrance hall finished in trompe l'oeil French Rococo frames. They continue to be one of the houses' most popular attractions. Before building a new mansion on the north east corner of Third and Pike, Longworth's youngest daughter lived here with her new husband Larz Anderson - grandfather of the same-named builder of the magnificent Larz Anderson House in Washington D.C. It was also at about this time (September, 1855) that Abraham Lincoln visited here. Longworth died in 1863 followed two years later by his widow. Their only son was already happily ensconced at Rookwood and in 1866 he and his sisters sold the house for $100,000 to Francis. E. Suire, owner of the finest pharmacy in the city that also did the biggest soda fountain business. Sadly, for all his medicines, Suire almost immediately fell victim to a protracted illness and his business began to suffer. In the year before he died (1873), he was forced to sell up to David Sinton who started his career in 1821 as a salesman on $4-a-month and died in 1900 as Ohio's richest man worth $20-million. In December, 1873, the widowed Mr. Sinton hosted "the social event of the season" at Belmont when his only surviving child and sole heiress, Annie, was married to Charles Phelps Taft, half-brother of U.S. President William Howard Taft. They were married in what is today the Music Room and after their honeymoon moved in with Annie's father. It was at about this time when Annie discovered that old Mr. Frank Suire had wallpapered over the Duncanson murals and she was delighted to be able to bring them back to life. David Sinton died in 1900 and deeded the house to the Tafts who brought up their three children here surrounded by their rich and diverse collection of art and objets d'art. In 1927, the Tafts willed their home and their collection to the City. Annie survived her husband by two years and in the year after she died (1932) the house was opened as a house museum, displaying their fabulous collection that includes paintings (European Masters as well as American artists such as Duveneck and Whistler), French enamels, Chinese vases, porcelains, crystals, jewellery, and watches from the 16th to the 19th centuries. The Taft Museum of Art remains one of the city's most popular attractions.

Belmont

Completed in 1820, for Martin Baum (1765-1831) and his wife, Ann Somerville Wallace (1782-1864). Situated at the corner of Fourth and Pike, it originally sat on a plot of 9-acres and is generally believed to have been designed by Benjamin Latrobe (the same architect who designed the Capitol in Washington D.C.) although local tradition has it as the work of James Hoban, he of White House fame. Throughout its history it has consistently attracted the attention of Cincinnati's richest men: Baum was considered the wealthiest man in Cincinnati in his day; Nicholas Longworth was the city's first millionaire; and David Sinton died the richest man in Ohio. Sinton's only child and sole heiress, Annie, married Charles Taft, half-brother of U.S. President William Howard Taft who received the Republican nomination for President on the portico steps here. Since 1932 Belmont has been open to the public as the Taft Museum of Art. Baum commissioned Latrobe or Hogan in 1817 and sparing no expense the house took three years to complete: "His (Baum's) house was always open and his hospitality was unbounded. All intellectually great men were especially welcome. Julius Ferdinand von Salis, cousin of the great German lyric poet, Count Johann Gaudez von Salis, lived with him about the year 1817. He had travelled through the Orient as a natural philosopher, 'and wrote here,' says Klauprecht, 'in the retirement of this western market town...'". Baum lived here until his death in 1831 when his widow sold Belmont to Cincinnati's first millionaire, Nicholas Longworth. Aside from his passions for art and horticulture, Longworth was also an outspoken abolitionist and in 1850 he commissioned Robert S. Duncanson, America's first famous black artist, to complete a series eight landscaped panels (each one a little over 9-x-7-feet) in the entrance hall finished in trompe l'oeil French Rococo frames. They continue to be one of the houses' most popular attractions. Before building a new mansion on the north east corner of Third and Pike, Longworth's youngest daughter lived here with her new husband Larz Anderson - grandfather of the same-named builder of the magnificent Larz Anderson House in Washington D.C. It was also at about this time (September, 1855) that Abraham Lincoln visited here. Longworth died in 1863 followed two years later by his widow. Their only son was already happily ensconced at Rookwood and in 1866 he and his sisters sold the house for $100,000 to Francis. E. Suire, owner of the finest pharmacy in the city that also did the biggest soda fountain business. Sadly, for all his medicines, Suire almost immediately fell victim to a protracted illness and his business began to suffer. In the year before he died (1873), he was forced to sell up to David Sinton who started his career in 1821 as a salesman on $4-a-month and died in 1900 as Ohio's richest man worth $20-million. In December, 1873, the widowed Mr. Sinton hosted "the social event of the season" at Belmont when his only surviving child and sole heiress, Annie, was married to Charles Phelps Taft, half-brother of U.S. President William Howard Taft. They were married in what is today the Music Room and after their honeymoon moved in with Annie's father. It was at about this time when Annie discovered that old Mr. Frank Suire had wallpapered over the Duncanson murals and she was delighted to be able to bring them back to life. David Sinton died in 1900 and deeded the house to the Tafts who brought up their three children here surrounded by their rich and diverse collection of art and objets d'art. In 1927, the Tafts willed their home and their collection to the City. Annie survived her husband by two years and in the year after she died (1932) the house was opened as a house museum, displaying their fabulous collection that includes paintings (European Masters as well as American artists such as Duveneck and Whistler), French enamels, Chinese vases, porcelains, crystals, jewellery, and watches from the 16th to the 19th centuries. The Taft Museum of Art remains one of the city's most popular attractions.

  • Marley Zielike

David Sinton House, 316 Pike St Cincinnati, Hamilton County, OH

To become a black artist under the conditions of the nineteenth century posed great obstacles, largely complicated by racism. No matter how potentially great or even competent, the black artist constantly found himself in the dilemma of having to constantly disprove either cultural, racial or provincially imposed attitudes and restrictions. Robert S. Duncanson was one such individual who met with these same awesome challenges and for a time, succeeded until these conditions contributed to his demise in 1872. History is fortunate in that at least 79 out of a possible ninety-odd known canvases by Duncanson`s hand have survived.It was indeed the nineteenth century painter who forged one of the first truly American traditions. In effect the visual imagery they developed through close attention to the details of the American terrain grew into fervent emotional and spiritual relationship to nature. It is within this context that Robert S. Duncanson is to assume his role as a vital contributor to the creation of this unique and individual form of American expressionism.

David Sinton House, 316 Pike St Cincinnati, Hamilton County, OH

To become a black artist under the conditions of the nineteenth century posed great obstacles, largely complicated by racism. No matter how potentially great or even competent, the black artist constantly found himself in the dilemma of having to constantly disprove either cultural, racial or provincially imposed attitudes and restrictions. Robert S. Duncanson was one such individual who met with these same awesome challenges and for a time, succeeded until these conditions contributed to his demise in 1872. History is fortunate in that at least 79 out of a possible ninety-odd known canvases by Duncanson`s hand have survived.It was indeed the nineteenth century painter who forged one of the first truly American traditions. In effect the visual imagery they developed through close attention to the details of the American terrain grew into fervent emotional and spiritual relationship to nature. It is within this context that Robert S. Duncanson is to assume his role as a vital contributor to the creation of this unique and individual form of American expressionism.

1820

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